The constant rewriting of the truth and the film’s differing timelines would be confusing, if not for Pierre Aïm’s cinematography. Cast: Andréa Bescond (Odette), Karin Viard (Mado Le Nadant), Clovis Cornillac (Fabrice Le Nadant), Pierre Deladonchamps (Gilbert Miguié), Carole Franck (The Psychologist), Grégory Montel (Lenny) Odette is a 8-yr-old girl who loves to dance and draw. But the vestiges of her girlhood trauma color her adult life in ways she never could have predicted or controlled. Odette’s coming-of-age entails more than a couple alcohol-fueled, drug-addled benders, sabotaging her relationships and professional dance career along the way. Edinburgh Filmhouse | Sat 17th November 18:15 Here's all you need to know about what it is, when it is, where it is, the lineup, who won last year and more. Join Facebook to connect with Andrea Gilbert and others you may know. Little Tickles (French: Les Chatouilles) is a 2018 French drama film directed by Andréa Bescond and Eric Métayer.It was screened in the Un Certain Regard section at the 2018 Cannes Film Festival.. “It’s no technique, but real emotion,” a dance instructor praises Odette. (Photo by Loic VENANCE / AFP) (Photo credit should read LOIC VENANCE/AFP/Getty Images). Here, Odette blanches. While Odette’s life is marked by undeniable suffering, it is hers to shape and control. 38 of the law), access (art. The instructor’s response is one of many lines in “Les Chatouilles” (which translates to “Little Tickles”) that is unwittingly accurate. Undergraduates Celebrate Second Consecutive Virtual Housing Day, Dean of Students Office Discusses Housing Day, Anti-Racism Goals, Renowned Cardiologist and Nobel Peace Prize Winner Bernard Lown Dies at 99, Native American Nonprofit Accuses Harvard of Violating Federal Graves Protection and Repatriation Act, U.S. Reps Assess Biden’s Progress on Immigration at HKS Event. The sweet-natured, dance-mad young girl Odette (Cyrille Mairesse) was groomed from an early age by her parents’ close friend Gilbert (Pierre Deladonchamps) and repeatedly molested, often in her own home under the eyes of her parents (Karin Viard and Clovis Cornillac). See also. Original French title Les Chatouilles Andréa BESCOND - Chaîne web officielle Comédienne, Danseuse, Auteure, Metteur en scène, Chorégraphe Scénariste, Réalisatrice “No technique?” repeats Odette, half-bemused, half-offended. It does not shy away from the degree of immense fear and self-doubt that comes with confronting sexual abuse. She turned to acting after meeting Éric Métayer in 2008 on the musical comedy Les Aventures de Rabbi Jacob (The Adventures of Rabbi Jacob). Andréa Bescond has been dancing since she was three and knew she wanted to be a dancer from a very early age. Directors Andréa Bescond, Eric Métayer. It’s the state of a little girl suffering.”. Movie buffs unite: the 71st annual Cannes Film Festival is just a few weeks away. by Andréa BESCOND and Eric METAYER MOLIÈRE DU SEUL(E) EN SCÈNE 2016 PRIX SACD NOUVEAU TALENT 2016 BEST FEMALE PERFORMANCE AVIGNON CRITIQUE OFF 2014 Directors Andréa BESCOND and Eric METAYER Writers Andréa BESCOND and Eric METAYER Production company LES FILMS DU KIOSQUE Executive Producers François KRAUS and Denis PINEAU-VALENCIENNE (And Bescond and Métayer all but show the abuse on-screen, the camera strategically angled a few inches too high.) The authors Andréa Bescond and Éric Métayer play very skillfully with a blurring between fantasy, memory, and reality and, through this device, explore masterfully the impact such a trauma can have on the psyche of a little girl. With Andréa Bescond, Karin Viard, Clovis Cornillac, Pierre Deladonchamps. See the complete profile on LinkedIn and discover Andrea’s connections and jobs at similar companies. Train fantôme (2013) with Andréa Bescond as Choreographer Related to Andréa Bescond (1 resources in data.bnf.fr) Authors linked as restager (1) Eric Métayer. Meanwhile Andréa Bescond is a star of modern, African, hip-hop and krump dance. Toute la distribution est à tout point remarquable d’Andréa Bescond où Gringe en passant par la psychologue Carole Franck à Clovis Corniac, père aveugle des agissements de Gilbert Miguié, jouer par l’effroyable Pierre Deladonchamps. Eric Métayer is an actor, writer, and director from Paris. France 2018 103 mins. Felnőtt nőként szavak helyett inkább mozdulatokkal fejezi ki az érzéseit, de ahhoz, hogy normális életet élhessen, a haragját valahogy fel kell dolgoznia. Andréa Bescond. Odette Le Nadant, now a grown woman, has not been a little girl for many years. They watch her reverently. Karin Viard, Andréa Bescond, and Clovis Cornillac star in 'Les Chatouilles' ('Little Tickles'), directed by Bescond and Eric Métayer, which premiered at the Cannes Film Festival in 2018. “It’s rape, Odette,” her therapist says. as Fabrice Le Nadant. Directed by Andréa Bescond, Eric Métayer. 3,298 Followers, 1,455 Following, 1,008 Posts - See Instagram photos and videos from Andrea Gilbert (@andreagtattoos) “No technique, but real emotion” might be a fitting description for “Les Chatouilles,” which toggles back and forth between flashbacks to Odette’s complicated past and numerous sessions with her therapist, in which she comes to terms with her history of abuse and begins to take action against her rapist. Want to keep up with breaking news? Odette is a 8-yr-old girl who loves to dance and draw. With Andréa Bescond, Karin Viard, Clovis Cornillac, Pierre Deladonchamps. Andréa BESCOND - Chaîne web officielleComédienne, Danseuse, Auteure, Metteur en scène,ChorégrapheScénariste, Réalisatrice Miközben szívvel-lélekkel építi táncos karrierjét, kénytelen megküzdeni a múlt démonaival is. Dancer Andréa Bescond co-directs and stars in this hopeful film based on her autobiographical play. 39 of the law), and amend and delete (art. GERALDINE ARESTEANU pour Don’t Fuck With Me, CANNES, FRANCE – MAY 14: actor Clovis Cornillac, director Andrea Bescond and actor Clovis Cornillac attend the photocall for the « Little Tickles (Les Chatouilles) » during the 71st annual Cannes Film Festival at Palais des Festivals on May 14, 2018 in Cannes, France. “I will not be a living dead person,” she says defiantly, in the face of her mother’s denial. Manu ends up in a cell, presumably for drug dealing. Odette nyolcéves, szeret rajzolni, táncolni tanul. Andrea has 5 jobs listed on their profile. A 8 éves Odette nagyon szeret táncolni és rajzolni. But after the first act, the fast-paced jumps become par for the course for Bescond’s own story—one whose retelling is complex, painful, and at times, surprisingly funny. As Odette grows up, she bounces from dance, to drugs, to casual sex, anything to forget the trauma she endured as a child. https://www.thecrimson.com/article/2018/5/16/les-chatouilles-review Andréa Bescond : Odette Le Nadant; Karin Viard : Mado Le Nadant; Clovis Cornillac : Fabrice Le Nadant; Pierre Deladonchamps : Gilbert Miguié; Grégory Montel : Lenny 13k Followers, 2,126 Following, 1,190 Posts - See Instagram photos and videos from Andréa Bescond (@andrea_bescond) She gets rejected from the Opéra school. But when she begins to see a therapist (Carole Franck), she learns that she must confront her abuse head on, no matter how painful it might be to relive—if not for her own sake, then for the sake of his next victims. Odette is a 8-yr-old girl who loves to dance and draw. “But you dance a state of being. As much as “Little Tickles” is a film about victimhood, it is also a film about recovery and resilience. Glasgow Film Theatre | Friday 9th November 20:40. Whether you know about the life of Andréa Bescond or not, it is urgent that you (re)discover the story of this co-film director and main actress of the movie adaptation of Little Tickles.Selected at the 2018 Cannes Festival, the film retraces the childhood of Odette, a little girl raped during years by a friend of her parents.Three good reasons to rush and go see this masterpiece: Clovis Cornillac. Cast. Once she has become an adult, Odette realizes she was abused, and immerses herself body and soul in her career as a dancer while trying to deal with her past. Bescond imbues both her acting and choreography with a kind of urgency that’s enough to make anyone want to jump inside the screen and save Odette themselves, instead forced to clench their fists and helplessly witness her abuse as it plays out, wishing someone in her world would notice and rescue her. And we watch helplessly as Gilbert leads Odette into her bathroom, then closes the pink door. Once she has become an adult, Odette realizes she was abused, and immerses herself body and soul in her career as a dancer while trying to deal with her past. Activities of Andréa Bescond (3 resources in data.bnf.fr) Textual works (1) Les chatouilles, ou la danse de la colère (2015) Cast Odette Andréa Bescond Mado Le Nadant Karin Viard Fabrice Le Nadant Clovis Cornillac Gilbert Migui Pierre Deladonchamps Lenny Gregory Montel La Psy Carole Franck Manu Guillaume Tranchant Mme Maloc Ariane Ascaride Odette as a child Cyrille Mairesse. (Photo by Venturelli/WireImage), French actress and film director Andrea Bescond poses as she arrives on May 14, 2018 for the screening of her film « Little Tickles (Les Chatouilles) » at the 71st edition of the Cannes Film Festival in Cannes, southern France. Karin Viard. “I mean, there is technique,” the instructor corrects himself. If anything, “Little Tickles” is a testimony to the difficulty of survival after abuse. Cast Andréa Bescond, Karin Viard, Clovis Cornillac Director Andrea Bescond, Eric Metayer | 2018 | France | 103 mins Confidently handled, thrillingly emotional and dramatically satisfying Screen. In imaginatively-filmed therapy sessions that blur the boundaries of time and factuality, Bescond and Métayer show us what should have happened, what Odette wishes she could believe—she appears at the Opéra alongside famous Russian ballerina Rudolf Nureyev, she takes her best friend Manu (Gringe) to see krumpers in America, and most crucially, her father bursts in on Gilbert when he tries to molest her and violently retaliates—but each time, they deflect to the sad reality. as Mado Le Nadant. Odette (played by writer-director Andréa Bescond) was once the victim of repeated childhood sexual assault, targeted by Gilbert Miguié (Pierre Deladonchamps), a family friend who claimed to see Odette as the daughter he never had and whom Odette’s parents trust with their lives. Scenes cut swiftly from one to another, swirling past and present, scene and choreography into a continuous experience that preserves the substance of Bescond’s original play. It’s a simple statement, but a meaningful one, which confirms the validity of Odette’s experience—more than can be said about Odette’s own mother, Mado (Karin Viard), whose feelings of reluctance (“Let’s not rush to conclusions,” she cautions when the truth comes out) evolve horrifically into outright denial and rejection of her daughter’s testimony. FILM SHOWING. Directed by Andréa Bescond, Eric Métayer. 40 of the law) data concerning them. Amikor Odette felnő, tudatosul benne, hogy gyermekként bántalmazták. She has just performed an interpretive dance, a demonstration for the other students in the class. Under French law n° 78-17 of 6 January 1978, modified relating to data processing, files, and liberties, internet users have the right to oppose (art. as Odette Le Nadant. But Bescond, whose one-woman show is the film’s source material, and her creative partner for the film, Métayer, demonstrate their immense capacity for form as well as content, blending visual styles and mediums that structure Odette’s story: Interpretive dance over a stark black background expresses a range of transcendent, ineffable feelings that even the best dialogue or acting ever could. “Why’d he keep it up? Each revisiting of Odette’s trauma is painful and hard to watch; yet by fleshing out her past, even imbuing it with some humorous anecdotes (a subplot with a flamboyant dancer called Benjamin is particularly memorable), Odette reclaims some fundamental autonomy, no longer a passive observer in her own narrative. She began her training at the école internationale Rosella Hightower then at the Conservatoire National Supérieur de Musique et de Danse de Paris. Already the 2018 film festival circuit has yielded two high-profile titles that both deal with the trauma of childhood sexual abuse: Jennifer Fox’s Sundance sensation “The Tale,” and Cannes discovery “Little Tickles,” the debut film from Andréa Bescond, co-directed by Eric Métayer and based on Bescond’s autobiographical one-woman play. He could tell I didn’t like it,” the grown-up Odette muses out loud, watching from the sidelines as she watches Gilbert molest her younger self in a memory. És fel sem merül benne, hogy tartania kellene a szülei legjobb barátjától, aki cirógatóst akar játszani vele. Odette, 9, is playing in her room when her parents’ best friend, Gilbert, enters and offers to play dolls with her in the bathroom. Subscribe to our email newsletter. De vajon miért nem bízik meg szülei barátjában, aki egy nap felajánlja, hogy megcsiklandozza? French actress and film director Andrea Bescond (L) and French actress Carole Franck pose as they arrive on May 14, 2018 for the screening of their film « Little Tickles (Les Chatouilles) » at the 71st edition of the Cannes Film Festival in Cannes, southern France. Simply by the act of telling her therapist about her childhood, she becomes the author of her own story. At first, the film’s dizzying leap from one temporal setting to another can be jarring, not to mention a bit off-putting so soon after the initial implied abuse. Andrea Gilbert is on Facebook. (Photo by Valery HACHE / AFP) (Photo credit should read VALERY HACHE/AFP/Getty Images), French actress and film director Andrea Bescond (L) and French actress Carole Franck pose as they arrive on May 14, 2018 for the screening of their film « Little Tickles (Les Chatouilles) » at the 71st edition of the Cannes Film Festival in Cannes, southern France. Pierre Deladonchamps. Odette is a 8-yr-old girl who loves to dance and draw. View Andrea Gilbert’s profile on LinkedIn, the world’s largest professional community. Bescond continues to explore various styles of dance from classical to modern jazz, hip-hop, and krump. Once she has become an adult, Odette realizes she was abused, and immerses herself body and soul in her career as a dancer while trying to deal with her past. Métayer studied art history and visual arts before beginning a career in theater, with a particular interest in improvisation. Dancer Andréa Bescond co-directs and stars in a harrowing but hopeful film based on her autobiographical play about childhood sexual abuse.